I’m not trying to reach the converted.

I’m trying to reach the others, the ones who haven’t discovered their personal connection with classical (serious) music.  Is it possible that my deliberate choice of the previous words might offend some people? Hopefully,  because my point is;  how can you question whether or not a higher power exists after one has experienced Beethoven, Brahms, Bartok or Shostokovich?

The purpose of music is to communicate emotion, in a non-verbal and therefore a more pure way. Mahler said one of his Ruckert Lieder should convey “the way one feels in the presence of a beloved being of whom one is completely sure without a single word needing to be spoken”.  Maybe that’s too sappy for some, but if the concept of music expressing this detailed an emotion is new to you…LISTEN UP!! You have no idea what you are missing!

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No, the factory is NOT moving

There was some recent news that seems to be universally misunderstood. The Bosendorfer factory in Wiener Neustadt is NOT moving. However, our administrative offices, currently on Graf Starhemberggasse in Vienna ARE moving to the factory in Wiener Neustadt.

The Graf Starhemberggasse facility used to the be the factory but now is mostly empty. The consolidation of space makes perfect business sense. The Salon on Bosendorferstrasse, in the back of the Musikverien will remain our primary presence in Vienna.

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Epiphany or Conversion?

So, let’s pretend there is this prospect, a guy who  has been pestering dealers up and down the east coast for a couple of weeks. He doesn’t play, is relocating and well to do, looking to buy a piano for his family and wants to buy something good. He started looking for a used Steinway because he knew that was what he should get, right?

Well, let’s pretend that a skilled dealer delivered his “epiphany”, namely that there are wonderful high end pianos in the world and none of them are built in Queens!  Now lets say the problem is that he has (remember, we’re pretending) a very incorrect notion of what these instruments cost and is beating up every dealer trying to buy one of these instruments ( a very specific model) below cost. Seems he’s a big shot financier and, well, you probably know the type.

I’m very very happy that he had his epiphany. But here is the rub.

An epiphany without conversion is, well, pointless.

Important! Keep reading

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Concert pianos don’t have to be black

Heresy I know but I wouldn’t have even thought about it unless I saw it.

A very good FOB (friend of Bosendorfer) donated a model 225 to an important music department in the Midwest. However he specified that instead of black it be polished pyramid mahogany. As you can see this finish is beautiful and dramatic and quite different from the plain satin black most people are used to.  Now this is just my opinion and I am very very biased but I thought that mahogany piano on that stage was one of the most beautiful things I had ever seen! It was so unexpected but fit so well, it had to be right!!

What do you think?

Pyramid Mahogony

Pyramid Mahogony

225 pyramid mahogony on stage

225 pyramid mahogony on stage

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When is it not a Bosendorfer?

Saw a model 200, about 30+ years old, rebuilt by a reputable shop. The original Schwander action had new Renner whippens. The hammers were Renner blues, the bass strings probably Mapes.  While overall the work was of reputable quality, it was a long way from Bosendorfer and had this strange burnt orange, thick lumpy finish on the plate.

The real question is, what is it? I would argue that it is not a Bosendorfer anymore since so many of the parts were not original. This flies in the face of common rebuilder philosphy, at least here in the US. This approach comes from the experience with American Steinway which says that a good rebuilder can actually make a piano BETTER than the original.

The issue is that assumptions made about one make of piano do not translate directly to another and most of the tweaks that people would take for granted in a Steinway actually deteriorates a Bosendorfer. If you own one, you can do with it what you want and there are some great high end technicians out there. You could done one of those wild bridge modifications, change hammers, Stanwoodize the action, add brass weights to the soundboard…LOTS OF STUFF, but I don’t know that you would end up with a better piano. Different, yes.

I’ve been trying to think of a proper analogy to keep from sounding like some corporate stooge and maybe here is one:

A major overhaul of a Bosendorfer by a high end tech, using some of the modifications above, is sort of like a sommelier choosing to take 3 expensive bottles of wine and blending them himself just before serving. Yes, the end result might be better than any of the 3 individual bottles, but many people want to see what the vinyard bottled, what the vinyard was looking for. They’re looking for the experience the maker intended, not what somebody else, skilled though they might be, thinks is right, just because he (or she) can.

These modification tools are great for helping older instruments, or ones that clearly have dificiences in important areas. This kind of modification is a relative recent development in this business. But doing so has ramifications.

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College Music Schools Doing Well

This is a great article about the surge in music majors at colleges and universities in the US.

The best quote is a young music major: “My parents knew I wouldn’t be happy without music.”

There a couple of other great quotes:

At Oberlin, “we teach entrepreneurship, how to start an LLC, tax law,” said dean David Stull.

Added Indiana University music admissions director Townsend Plant: “Music students—we’ve seen for a long time—exhibit a remarkable set of transferable skills which can be applied to many careers. … They are good at collaborating and building consensus, they’re great at public speaking, they have drive and focus that comes from a real desire to master something. And that’s a remarkable collection of traits that make you successful in many fields.

This is music to my…oh, never mind.

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Somebody gets the Smart Car.

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Andras Schiff in Japan

I’m a big fan of Schiff. Terrifically thoughtful and sensitive pianist with very clear ideas of what he is looking for. Can’t really argue with that. AND, he stays away from all the big barn burner Romantic warhorses. Thank you…no really, thank you.

Andras and I used to be friendly a while ago (well, about 25 years ago) when I was a technician preparing a number of concert pianos for him.I got a chance to see up close his very individual approach to interpretation.  As are most musicians at this level, he was warm and funny as heck.

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Found David Andersens Blog today

David Andersen is a very interesting high end piano technician in Los Angeles. I attended one of his tuning seminars at the PTG convention in Rochester. Very very interesting, holistic approach to life as well as tuning.

Here is his blog, one of the few I have found by high end piano technicians.

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Some really great music making.

If the Shostakovitch doesn’t bring tears to your eyes, then maybe you haven’t heard enough really good orchestras!

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