TED interview with Jose Antonio Abreu, founder of El Sistema, the youth music program in Venezula.
It’s about 16 minutes long, but worth it.
TED interview with Jose Antonio Abreu, founder of El Sistema, the youth music program in Venezula.
It’s about 16 minutes long, but worth it.
In Troubled Times: The Case for the Arts
Compelling article by conductor JoAnn Falletta on the importance of classical music
Here is a great review of a recital in Seattle by the violinist Hilary Hahn accompianied by the wonderful Valentina Lisitsa.
Garrick is a good friend of Bosendorfer and graciously agreed, at an event at the Museum of Arts and Design in NYC, to give a sampling from his upcoming all Scriabin recital.
This was music making of the highest order, in the most wonderful, casual, engaging setting you can imagine.
In a nutshell, the S series are Yamaha’s concert level, hand made pianos. Made in a separate factory, these 3 models, the S4 (191 cn, 6’3″) , S6 (212m, 6’11″) and CFIIIS (275cm, 9′) (pronounced C F three S) are made using techniques that would be familiar in any high end piano factory. Lots of hand chisels, a relaxed but intense pace working with materials that are chosen with less regard to the price.
The result is a piano with much more character, range and overall playing quality with the distinctive sound Yamaha strives for in their concert instruments.
Voicing is one of the most critical aspects of piano maintenance and repair and perhaps the most mysterious. It’s mysterious because there is so little you can actually specify, unlike the precise measurements of key dip or let off.
Voicing is often referred to as “tone regulating” which has a more clear meaning. It is the technique of adjusting the various parameters that affect the tone of the piano. This of course includes regulation of the action and tuning. But most people consider voicing to be the manipulation of the density of the felt of the piano hammer. It is the image of the technician jabbing a tool with needles into each hammer.
I’m working on my concept that we, as manufacturers, need to get together to develop and promote the idea of the High End Piano Experience, rather than assume that everybody agrees with our premise that these things are worth a lot of money.
What is the HEPE? It’s the combination of an outstanding musical instrument and a product of supreme craftsmanship. The instrument needs to be one that is capable of giving an artist (at any level) a tool for exploring the real power of music to create and influence emotions. The product of craftsmanship should be associated with a long and noble history of the science and craft of piano building. The HEPE is best when experienced by a musician (of any level) but is not at all limited to those who play themselves. The craft aspects should appeal and give satisfaction to those that don’t play and the availability of a high quality musical instrument means that music can enter the scene at any moment.
Notice that I did not say the “art” of piano building. To me, Art refers to emotional communication and while a silent piano does stir the emotions in some of us, the real magic comes when a high quality piano is being used as a tool by a fine pianist. Therefore piano building is less Art and more high level craft. The only exception is in veneer and casework. The very best veneer work should, in the words of Don Bennett, “tell a story”. And boy, when done right, can it ever!
I should have known better, but I got screwed by a piano rebuilder in Yonkers. He came recommended by a friend who should know.
Originally I just needed my piano restrung, a pretty straight ahead job if you’re a restringer so made sense to have it done. Long story short, the piano ended up in his shop to have bridge capped because the bearing needed resetting. No problem here, I agreed with everything. But this is also where he screwed me by doing to most bulls**t job of bridge notching I have ever seen.The problem is that once a bridge is notched, there is not much room to do it over.
So, the piano is with my friends at PianoWorks in Atlanta, having the bridge recapped and the whole thing restrung. Crap, maybe at the end of this I’ll finally have a real piano to send to my new pad in Charleston.
Maybe, maybe not. The number one reason to NOT buy a Steinway is this:
Don’t buy a Steinway because somebody told you it’s the best piano in the world.