The High End Piano Experience

I’m working on my concept  that we, as manufacturers, need to get together to develop and promote the idea of the High End Piano Experience, rather than assume that everybody agrees with our premise that these things are worth a lot of money.

What is the HEPE? It’s the combination of an outstanding musical instrument and a product of supreme craftsmanship. The instrument needs to be one that is capable of giving an artist (at any level) a tool for exploring the real power of music to create and influence emotions. The product of craftsmanship should be associated with a long and noble history of the science and craft of piano building. The HEPE is best when experienced by a musician (of any level) but is not at all limited to those who play themselves. The craft aspects should appeal and give satisfaction to those that don’t play and the availability of a high quality musical instrument means that music can enter the scene at any moment.

Notice that I did not say the “art” of piano building. To me, Art refers to emotional communication and while a silent piano does stir the emotions in some of us, the real magic comes when a high quality piano is being used as a tool by a fine pianist. Therefore piano building is less Art and more high level craft. The only exception is in veneer and casework. The very best veneer work should, in the words of Don Bennett, “tell a story”. And boy, when done right, can it ever!

Veneer work

Veneer work

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Now I know how people got sucked in by Madoff

I should have known better, but I got screwed by a piano rebuilder in Yonkers. He came recommended by a friend who should know.

F-uped bridge notching

F-uped bridge notching

Originally I just needed my piano restrung, a pretty straight ahead job if you’re a restringer so made sense to have it done. Long story short, the piano ended up in his shop to have bridge capped because the bearing needed resetting. No problem here, I agreed with everything. But this is also where he screwed me by doing to most bulls**t job of bridge notching I have ever seen.The problem is that once a bridge is notched, there is not much room to do it over.

So, the piano is with my friends at PianoWorks in Atlanta, having the bridge recapped and the whole thing restrung. Crap, maybe at the end of this I’ll finally have a real piano to send to my new pad in Charleston.

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Should you buy a Steinway?

Maybe, maybe not. The number one reason to NOT buy a Steinway is this:

Don’t buy a Steinway because somebody told you it’s the best piano in the world.

Continue reading

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NAMM 2009

Le Merigot Hotel in Santa Monica

Le Merigot Hotel in Santa Monica

Namm has come and gone. We did something completely different this year by not showing at NAMM in our customary large booth with nice lighting, Viennese coffee and champagne.

Instead we hosted our dealers at the very nice Le Merigot in Santa Monica with the intention of giving them a relaxing break and a chance to talk with them (and take orders) in a more relaxed setting. The result was great..much less work, much less cost and much nicer all around experience.

The problem is that my relatively new Canon G9 camera disappeared. Whether or not I just lost it or it was taken out of my room is unclear and,ultimately, not important. But it does mean that a lot of good photos are gone, gone, gone.

We showed a revised CS and the new satin lacquer finish. Very well received.

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Some conflicts of interest.

There is a problem representing a maker while blogging. It means that I have to be rather circumspect both in regards to Bosendorfer and in regards to competitors. This is an insanely small industry and one tends to hear all kinds of rumblings. The rumblings that actually turn out to be true and of significance are rare.

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Cool gadget

Here is a cool gadget from Dopplr that keeps track of my travels.

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Nice piano!

I’m in Charleston SC right now (really great city!) and just heard Valentina Lisitsa play the Tchaikovsky 1 with the Warsaw Philharmonic. Valentina is a big Bosendorfer fan, and the feeling is mutual. But our bank of concert pianos can’t completely keep up with the vast range of her performances, and we don’t have a piano near Charleston.

So, imagine my surprise to see a shiny Yamaha CFIIIS on the stage. I’m rather partial to the CFIIIS, having managed the Yamaha US Artist Relations program for 10 years. Oh, and I also own one. I believe that the world needs more than one concert piano and Yamaha has worked very very hard to give the world one, with the resources to put it out where people can see (hear) it. You could call the world of concert pianos a zero sum game (any win for one is a loss for the others).  However, when faced with a monopoly, the game is somewhat different. If any instrument can fight it’s way onto the concert stage in a consistent and satisfying manner, then that instrument is good for all the ones fighting the same fight. The monopoly’s domain is slightly smaller and someone else has planted a stake.

This particular Yamaha was extremely satisfying. Plenty of power (remember, it’s Tchaik 1) with extraordinary tone and sustain in the soft lyrical parts. Yet, still with a sound of its own. Really nice piano…oh, and played by somebody pretty extraordinary herself!!

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OK, OK, so I don’t have the basic part of blogging down!

June…November…not so bad, right? Of course, a lot has happened during this period, but some things can’t really be talked about…strategy, plans, that sort of thing.

Here are a couple of items:

North American Dealers meeting in Las Vegas in August – big success

International Dealers Meeting in Vienna in September – big success

Bottom dropping out of the economy in October.. – real crap

Bosendorfer Piano channel on YouTube – cool in a nerdy kind of way.

(www.youtube.com/bosendorferpianos)

Finally I have a place for a lot of the video I’ve been shooting.

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Visit to Vienna

Spent a quick 4 days in Vienna in May. Of course, the week before I was there and the day I left were beautiful but while I was there, it was AGAIN WITH THE CRUDDY EUROPEAN WEATHER!!

I took my new very fancy HD video camera and spent the Sunday of arrival finding Ludwig Bosendorfers grave in the Central Cemetery. It’s quite humble, away from any of the big-shot sections.

Michael Nissen of Bosendorfer, the current keeper of history there, tells me that that is how it was specified in Bosendorfers will. In fact, the story goes, he wanted only his first name LUDWIG.  It’s a little frustrating because Carl Schweighofer has a dramatic site, as does the Streicher family. And how often do we hear about either one of those pianos today,eh?

Ludwig Bosendorfer grave marker

Ludwig Bosendorfer grave

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Bluthner 3

And the 3rd unique feature, in my opinion, is the 4th unison string in the treble. This string is raised above the level of the other 3, so the hammer does not strike it. It’s purpose is to vibrate sympathetically, contributing to the unique Bluthner tone.

It even has it’s own little damper.

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