While in Boston I visited (finally) the famous North Bennet Street School and met the director of the Piano Department, David Betts and Debbie Cyr, one of the instructors. The school has somewhat mythical status in the US, being a very old, formal and well respected school of a variety of crafts, including book binding, jewelry making, furniture making and piano technology. Deep in Bostons Italian North End, it’s in a charming area and a funky, very large building, oozing skill and craftsmanship. I’m going back to give a class and am going to try to find a piano that I can place there for awhile…they should have a Bosendorfer for close up inspection of European craftsmanship…they certainly have enough exposure to Steinway and M&H. By the way, if you are at all familiar with Boston, what an amazing difference the Big Dig has made…the old Central Artery, which cut

Last  night was my return to the Boston Symphony Orchestra. I’ve heard James Levine conduct the Met Opera Orchestra, both in opera and in concert settings and have always been impressed. This was my first opportunity to see what he has been doing in Boston. I went to college in Boston and had a subscription to the BSO. Now I wish I had saved those programs…lots of eye opening experiences (ok, ear opening) highlighted by hearing the Shostakovich 4th…unprepared!! Anyway, the Berg Violin Concerto is one of the greatest 20th century compositions and a highlight of serialism, not to mention beauty and profundity. One of my favorite pieces of music. I could go on and on, but I won’t. If you’re not familiar with this piece, listen to it about a dozen times. The other piece on the program was one of my least favorite, by one of my least favorite composers…the